Each Friday, Billboard presents Tomorrow’s Hits, a weekly look at new and noteworthy acts making their way toward Billboard chart success
Dr. Luke’s new signee Lunchmoney Lewis makes his Pop Songs debut at No. 38 with his catchy and comedic “Bills” (Kemosabe/Columbia) (up 115 percent in plays, according to Nielsen Music). The Florida native previously built cachet as a featured act on Nicki Minaj’s “Trini Dem Girls” (on The Pinkprint). Artists including One Direction’s Liam Payne and Meghan Trainor have supported “Bills” by sharing it on Twitter.
Fun fact: Lewis grew up in a musical family and his father, Ian Lewis, and uncle Roger Lewis helped found Jamaican reggae group Inner Circle. The act’s household-name hit “Bad Boys,” aka the theme from Fox’s Cops, reached No. 8 on the Billboard Hot 100 in 1993. -Amaya Mendizabal
Local favorites Fletcher’s Grove will take the stage at the V Club tonight, April 10, following an opening act that is new to Huntington.
Elementree Livity Project is a Cincinnati-based band that has been branching out since its inception two years ago, touring in a wider circle on both sides of the Ohio River Valley. The band plays a combination of reggae and rock music based on a message of universal love and musical family.
The Elementree Livity Project came together in the northern suburbs of Cincinnati when musicians in various other bands decided to combine forces. The group includes David “Elementree” Danforth on guitar and vocals, Brandon “Bean” Bastin on lead guitar and vocals, Stephen Buttree on sax, ute, keyboards and vocals, Michael Walker on bass and Cisco Hughes on drums.
Fletcher’s Grove and the Elementree Livity Project will perform tonight at the V Club. The show is ages 18 and up and tickets are $10.
“I would say that we were rooted in reggae from the very start, but I wouldn’t necessarily put us right in that category because if somebody asked us about our sound that had never seen us, the first thing I would say is ‘reggae rock,’” said Walker. “We’re not strictly roots reggae like the Bob Marley or Jimmy Cliffs of the world. But, we’re not strictly a rock band alike AC/DC either. We’ve got a little bit of jamband to us, too, but we’re not really the Grateful Dead. We kind of occupy some space that exists in-between all of those areas.”
When it comes to the sound that the Elementree Livity Project throws out onstage and on their new EP You’re Not Ready, the bass is a key instrument for holding up the rhythmic bottom. Unlike many other bassists in the world who stumble across the instrument because no one else wants to play it, Walker wanted to pluck the four-string from the beginning.
“The bass was the first instrument that I picked up that I was serious about,” said Walker. “The first instrument that I picked up and said, ‘Man, I’m going to learn how to do this,’ was the bass guitar and that happened shortly after the first big, live rock concert that I attended. I was taken aback by the power of the instrument. It was a Tom Petty concert in 1994, Tom Petty and the Heartbreakers on the Wildflowers tour. His bass player was Howie Epstein at the time, God rest his soul. And, quite honestly, everybody else that I knew played guitar. I had four or five buddies that were looking to start bands and they were playing guitar. I was like, ‘Well, nobody is playing bass, so I’m going to get picked first.’ I picked it up and I fell in love with it and I’ve been grooving ever since.”
The goal of the Elementree Livity Project is to be one of the best live bands in the region, laying down a solid foundation for the fans to dance upon.
“For me, as a player, I like to make people move,” said Walker. “It is part of why I have always been attracted to the instrument that is the bass guitar and performing live with it. I can look out into the crowd and connect with people not only auditorily but also physically. I can actually make people move with sound waves, and I can influence the way they move around the room by the way that I play rhythmically. I can’t help it myself, as I move a fair amount when I play as well.”
After the Elementree Livity Project opens for Fletcher’s Grove tonight, the two bands will also share the bill at a special Record Store Day Party at the club Bogart’s in Cincinnati on April 20.
“We have not played the V Club yet so this is our first trip to Huntington and we’re excited about it,” said Walker. “We have been doing the weekend warrior-type of tours and we have been testing the waters in places like Dayton, Columbus and Cleveland and spreading out in our home state here in Ohio and in Northern Kentucky. But, one of our focuses this year is to travel to the cities that are within three hours and six hours of home and branch out a little bit and lay down the framework for an extended tour later on this summer or fall. We have not met the guys in Fletcher’s Grove other than knowing of their reputation and seeing each other’s activity online. I do know that they have done well for themselves out that way. We haven’t played any shows together yet, and to my knowledge, I don’t know that anybody from either camp has met one another. But, we’re excited to make the connection and bring them out this way, and to head out that way to support them as well.”
This edition’s topics: Jo Mersa, Capleton and Marley brothers highlighting the 9 Mile Festival in Miami, Florida / Festivities on February 6th in celebration of Bob Marley’s 70th birthday / Inner Circle remembering the late great Jacob Miller and working on new album and riddim selection with rising stars from the new roots movement / Reggae Month in Jamaica with Dennis Brown Tribute, JaRIA Honour Awards and Blue Mountain Music Festival attracts fans from all over the world / Co-Host: Inner Circl
Reggae Artist Mavado claims he was treated like a bum and even verbally abused at a fancy Asian restaurant … simply because he’s black.
Sources close to Mavado tell TMZ … he hit up Philippe Chow in NYC for lunch Thursday with his family, when he was curiously put in the back of the restaurant, even though it was pretty much empty.
Mavado didn’t complain and the family got down to business, chowing down at Chow, when he walked over to another empty table and had someone in his family take a pic of him. He says that’s when a manager said he couldn’t sit at that table because they were expecting guests.
Mavado claims the manager added he was prohibited from using his phone in ANY manner.
He then claims he got the bum’s rush … all of the food came out at once. We gotta say, that’s what Asian restaurants typically do, but that’s his story. He says he felt like they wanted to get him out.
Things got hot as fish grease when Mavado’s wife tried sending the rice back. He says the manager came over and pitched a fit. He says the rice stayed put, yet it was included in the bill.
Mavado then accused the restaurant of treating him shabbily because he’s black, and the manager allegedly slammed the bill on the table and told him never to come back.
Mavado claims his manager was later contacted by the restaurant and they profusely apologized, saying they didn’t know he was a famous person. Mavado says he’ll never go back.
As for the restaurant, we called and a manager said, “We are talking to Mavado’s people and we have no comment.”
John Brown’s Body is the rare roots reggae group that extends itself beyond simple historical reenactment, working in modern influences to create something that sounds like Lee “Scratch” Perry remixing a Radiohead track, which has led to No. 1 spots on the Billboard reggae chart and a comfy place in the jam band scene. For their new album Kings and Queens in Dub (out April 7 on Easy Star Records and currently available for pre-order in digital and CD formats) they worked with NYC reggae stalwart and Antibalas member Victor Axelrod, aka Ticklah, who produced the single “Land of Plenty Dub.”
According to JBB’s Drew Sayers, “He added so much to that group with his improvisations and compositional sense, and when I started to dig in to his productions I quickly realized he is one of my favorite all-around musicians out there. He brought something really special and unique with ‘Land Of Plenty Dub’—he achieves that balance between using classic dub techniques and tones but applied in a way you’ve never heard before.”