Tonight if you’re in Houston Texas the only place to be is at the East Down Warehouse where the Legends of Reggae Inner Circle will be holding this leg of the #OneLoveReggaeRevolutionTour with other Superstars ASHES OF BABYLON , and Eagger. You should already have your tickets but if you’re behind the 8ball do not fear you can still purchase tickets at Eventbrite but hurry spots will be gone in a flash.
The Stars were out last night as Abebe Lewis,Satonya Baker and the Remy Martin V team put on the event of the Season. Aboard the 220ft Seafair Mega Yacht a Litany of Miami’s Elite Embarked on a 2 Hour Journey around the Magic City. The Drinks were flowing, the dancing was abound and the women were no short of spectacular.Remy V out did themselves with the Three Designer cocktails they rolled out which was headlined by the Remy V.I.P. a smooth mix of Remy topped off with pineapple.This event is the essence of what it means to be a “Taste Maker” Photos after the jump! Read more
Awards season is over, which means music festival season is finally upon us. And what better way to kick it off than with the Caribbean’s esteemed Moonsplash festival?
Founded in 1991 and curated by legendary reggae musician Bankie Banx, the three-day music extravaganza, which took place March 13 through 16 this year, featured live Caribbean music played by the industry’s most intoxicating stars at CNN’s #1 rated beach bar, The Dune Preserve, on the island of Anguilla. In addition to the event attracting island enthusiasts and international tourists from across the globe, celebrity guests including John Mayer and Jimmy Buffett have also managed to bless the Moonsplash stage in the past with surprise performances.
Among this year’s lineup of performers were Banx himself and his son, former professional cricket player Omari Banks. The 31-year-old rising musician recently chatted with The Huffington Post about how he plans to contribute to his father’s musical legacy, and how he feels about Moonsplash being the longest-running independent music festival in the Eastern Caribbean.
After years of watching Moonsplash develop into the festival that it is today, how did it feel to perform at this year’s event?
Moonsplash was something that I really grew up around. I’d actually like to say that I’m a Moonsplash baby. I remember its inception and I’ve performed at Moonsplash since I’ve been 7, 8 years old. I was a child at the time, but I would get up and do one or two songs. But it’s always special for me to perform at the Moonsplash festival. It’s my dad’s festival, so I’ve seen the hard work and sacrifices that he has made to ensure that Moonsplash is successful. Getting up onstage to do my thing is something that I always appreciate and [I] love to get positive feedback from the crowd. As an artist that’s an amazing thing.
Are you involved with assisting your father in planning each year’s festival?
Not as much. In terms of planning, you have to be involved, in the sense [that] if my dad has an idea he’ll bounce the idea off of me, etc. But for the past, I would say, three to four years — seeing that I’m an artist now — I try to step back in terms of performing. Because even my dad sometimes, he’s the one who’s worked so hard for Moonsplash. But for me, I actually try to focus on the music, which is performing. And make sure that I’m in the right frame of mind to go up onstage to perform. But my dad always knows that he can ask me whatever it is to organize the event., and I’m open to that all the time.
How important would you describe the importance of Moonsplash remaining as the longest-running independent festival in the Eastern Caribbean?
I think it’s very important. We as Anguillans, we like to have a stake in our own. If you ask anybody, not just myself, Anguillans are proud people. They’re proud to say that they own the land of the country. And that’s important when you have a business which is our main industry in tourism. I think that goes hand in hand to say that my dad understands that it’s important what he does. From the acts that he brings in, my dad is somebody that’s socially aware and he tries to bring in acts that can have an impact, not just draw crowds, but also fit into the theme of Moonsplash. Moonsplash and the Dune Preserve always [have] a positive spin. And my dad is always looking to bring in someone who has a good influence and make a great contribution to Anguilla in that way.
It’s important to him, because Moonsplash is part of his legacy. And it’s important that he keeps it independent, because it’s part of his legacy and I’m sure he wants to play a role in shaping his destiny.
In recent years, John Mayer, Buju Banton and Jimmy Buffett are some of the special guests who have graced the Moonsplash stage. Where would you like to see the festival evolve in years to come?
Personally, I’m an artist who can appreciate all kinds of music. And my dad is the same. Some of his biggest icons or people that he [likes] as artists are people like Bob Dylan who inspire him. And those guys aren’t necessarily reggae singers. So I think my dad is open to all genres. It’s really about music and the art form. And that being said, it’s generally a reggae festival, but it’s more about the message and positive vibe that’s affiliated with Moonsplash.
In terms of your music career, last year you released your debut album, “Move On.” Looking ahead, would you be interested in recording a collaborative project? If so, with who?
That’s definitely something that I would want to do. Possibly with Nas or Jay-Z. I don’t do rap music in the sense that I’m not a rapper, but from the lyrical content or even within my reggae vibes we have a style called dub, which is similar to rap music. It’s kind of a chant kind of feel … I also like John Mayer and Lauryn Hill. I like Lauryn as an artist. I think lyrically, she’s awesome. I love her “Miseducation” album. As an musician you hear so much and you’re inspired by so many.
This is the six of a 10-part series looking at the impact of dancehall/reggae culture around the world.
SINCE the dark days of apartheid, reggae has played a pivotal role in South Africa.
Jamaican music still thrives in that country, which has produced its own reggae titan in singer Lucky Dube, who was murdered in October 2007.
Gavin Paul Jolliffe, a white show promoter who lives in a village called Asburton on the outskirts of Pietermaritzburg in the province of Kwazulu Natal, says the reggae scene in that region is small compared to other major centres.
“During the rise of reggae music in the ’70s and ’80s, South Africa was in the middle of a war in Angola and an uprising, and access to international media was restricted by the then apartheid government. So we missed out on much of the positive music flowing at the time,” he told the Sunday Observer by e-mail.
According to Jolliffe, it was the white population with control over media who were exposed to reggae. Black domestics who worked in their homes heard the music of Bob Marley and Peter Tosh and told friends about their powerful message.
The first black medium that exposed reggae in South Africa was an independent magazine called Drum.
“Then, surprisingly, Jimmy Cliff toured South Africa (in 1980) and reggae caught on in the black communities,” Jolliffe recalled.
He added that during that period, Tosh generated a lot of excitement through his visit to Swaziland, another southern African country.
Today, there is a growing Rastafarian community in ‘Kwazula’ and an annual Bob Marley Earthday in the port city of Durban, hosted by The Meditators, a leading reggae band.
Jolliffe is presently working with a young band called Undivided Roots, a sibling group for whom he acts as “father, promoter, manager and driver”.
In addition, he promotes the Rockstone Band out of Cape Town.
Jolliffe says reggae fans in Kwazulu have discriminating tastes.
“Dancehall is catching on fast, but the scope is even wider for reggae,” he stated. There is support for roots-reggae and the more commercial tones of British band UB40.
Jolliffe says there are about 10 reggae bands in Kwazulu with the most popular being The Meditators who are from Durban.
One of the biggest challenges for reggae in the province is lack of airplay on mainstream radio stations. Smaller stations, however, are playing more of the music.
As far as shows are concerned, Jolliffe notes that not many overseas reggae acts perform in Durban.
“In fact, most promoters pass it by. But if a place in our country that has potential/environment to host reggae bands, it’s Durban with its tropical climate and beaches,” he said.
Jolliffe’s passion for reggae music began after seeing a painting of Marley’s Uprising album on a wall. He recalls music blasting from the yard “with the sweet smell of ganja in the air”.
“It was like I had come home. Reggae/Rasta touched my soul and never left. Being white and an activist, disagreeing with the system was tough, but reggae gave me focus,” he said.
L.A. fixture Reggae Pops dances with singer Lianne Le Havas in her video “Age” on YouTube
The Facebook page of the dancer known as Reggae Pops has been filled with memories over the past hours as longtime club-goers pay honor to a smooth-moving fixture on the city’s night-life scene. Pops, born Nemencio Jose Andujar, died earlier this week, leaving a huge hole on the city’s dance floor. Read more